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What Is Libertarianism and
Philip Vander Elst
Philip Vander Elst is a British freelance author, journalist and
lecturer. For many years he was editor of Freedom Today and has
worked on the staff of the Centre for Policy Studies and the Institute
of Economic Affairs. This is the first article in a series of four.
These articles are from the pamphlet, “Libertarianism, A Christian
Critique,” published by The Christian Institute.
Libertarianism
is an eclectic philosophy and movement which is principally American in
origin but now has a significant following in Britain and other parts of
the English-speaking world. Although it is made up of different
political and philosophical strands, and there is plenty of disagreement
among Libertarians over particular issues, its core doctrine
encapsulates the following propositions: (1) The individual is an end in himself and possesses “natural rights”
stemming from the requirements of his nature as an active and rational
being; (2) The individual mind is the source of all creativity and the
fountainhead of all human progress; (3) Liberty is the essential condition of all human progress and
achievement; (4) The right to personal liberty is absolute so long as its exercise
does not infringe the equal rights of others; (5) Private property rights are also absolute because the individual has
an unlimited right to the product of his labour; (6) Free market capitalism is the only economic system compatible with
freedom and the individual’s “natural rights”; (7) The role of the State should be strictly
limited to the protection of life, liberty and property, and to the
enforcement of contracts; (8) Taxation for any
other purpose than the protection of life, liberty and property (i.e.,
to finance the “Nightwatchman State”), is theft; (9) In the areas of
sex, marriage, and the family, there are no moral or cultural absolutes:
all forms of sexuality, “marriage,” family structures and “lifestyles”
are equally valid and permissible so long as they result from freedom of
choice; and (10) Since individuals
have an absolute right to do what they like with their lives, bodies,
and property as long as they respect the rights of others, there should—in
a free society—be no restrictions on the consumption or sale (at least
by adults) of drugs, pornography, video nasties, and other perverse
substances and forms of “entertainment.”
Finally, in addition to a belief in these propositions, there is
a marked tendency among most (though not all) Libertarians towards
atheism and theophobia. By that, I mean they not only tend to disbelieve
in the existence of God; they actually dislike the very idea of God. To
many Libertarians, the possibility that there is a Creator to whom they
owe their existence, and to whom they are ultimately accountable for the
use they make of their lives, is extremely unwelcome. It not only poses
an unacceptable threat to their sense of personal pride and autonomy,
but also offends their moral sensibilities, since they equate reverence
for God with the totalitarian worship of power. Hence a note of
hostility towards theism and Christianity is often sounded in
Libertarian literature.
So much, then, by way of a brief description of the essential
elements of Libertarian ideology. What about its history? What are its
origins and who are some of its key thinkers and advocates? What, if
anything, does it have in common with other political and philosophical
movements?
Although the intellectual pedigree of Libertarianism can be
traced to particular thinkers over the last few centuries, the modern
Libertarian movement is mainly a post-war American phenomenon which
began to spread outside the United States at the end of the 1970s. With
its modern roots in the anti-socialist and isolationist “Old Right”
of the 1930s, whose thinkers were the fiercest opponents of President
Roosevelt’s “New Deal,” Libertarianism took off in America in the
1960s, and advanced rapidly in the 1970s and ‘80s. Today, after thirty
years of growth and development, it can boast a substantial number of
prominent thinkers, publications, and academic “think tanks” and
there is even a Libertarian political party which has contested every
American presidential election since 1972.
Whilst there is no single intellectual “guru” of the
Libertarian movement, two thinkers, both of whom are now dead, have had
a disproportionate impact on the growth of Libertarianism and the
development of its doctrine.
The first, was the female Russian-born writer and philosopher,
Ayn Rand, who emigrated to the United States in the 1920s and died in
1982. She founded a philosophical school called “Objectivism” and
expounded her views in non-fictional books like The Virtue of
Selfishness and Capitalism: The Unknown Ideal, but the secret
of her wide influence has lain in her eloquent and emotionally powerful
philosophical novels, which virtually every Libertarian has read and
which are often the entry-point into the Libertarian movement. Of these
philosophical novels, the two most famous ones are The Fountainhead
(1943) and Atlas Shrugged (1957). Sales are numbered in millions
and they are regularly reprinted. What is their central message and why
are they so popular?
The Fountainhead is the story of a brilliant young American
architect, called Howard Roark, who defies conventional opinion by
refusing to compromise his moral and aesthetic standards in the pursuit
of professional success. As such, it is a celebration of individual
integrity, creativity and achievement, and its central message—as the
title implies—is that the individual ego is the fountainhead of human
progress. Atlas Shrugged, by contrast, is a much longer book,
with a larger cast of characters, and tells the story of how a group of
brilliant inventors, businessmen and intellectuals “stop the motor of
the world” in a future socialist America. They go on strike and so
ensure that their creative talents cease to prop up what they consider
to be an immoral and oppressive social system. Both books, therefore,
incorporate similar themes, though their fullest expression is in Atlas
Shrugged. In it “altruism” is portrayed as an ascetic, life-hating
philosophy which sacrifices the individual to the collective and
glorifies the State. Atlas Shrugged
also contains a savage attack on religion, giving voice to Ayn Rand’s
theophobic conviction that belief in God is a form of psychological
self-abasement which promotes irrationality, obscurantism and tyranny.
Ayn Rand’s novels appeal to that spirit of rugged individualism
which has always been a strong and widely admired feature of American
culture. Unfortunately, by glorifying personal creativity and freedom in
the unbalanced way she does, and by equating the idea of “service”
and helping others with coercion and slavery, her philosophy also
gratifies personal pride, selfishness, and materialism, as well as
appealing to more generous emotions.
The second key figure in the development of the Libertarian
movement has been the late Professor Murray Rothbard, an extremely able
free-market economist and scholar, whose corpus of work includes books
on history and political philosophy as well as economics. Amongst these,
the three most influential have been America’s Great Depression;
Man, Economy, and State; and For a New Liberty.
Whilst the first is a powerful indictment of State mismanagement and
regulation of the monetary system, responsible—in Rothbard’s eyes—for
the Great Depression of the 1930s, the second is a detailed
philosophical exposition of the case for “anarcho-capitalism” and
the abolition of the State. For a New Liberty, on the other hand,
is a more popular work aimed at a larger audience, and is in effect, as
its subtitle indicates, The Libertarian Manifesto. In it Rothbard
not only outlines detailed arguments and policies for dismantling the
State, in favour of both personal choice and the free market in every
area of life, from the regulation of drugs and sexual behaviour, to
education, welfare, law and order, and foreign policy. He also sets out,
in uncompromising terms, the moral principle upon which the whole of
Libertarianism is based.
“The Libertarian creed,” he declares, .
. . rests upon one central axiom: that no man or group of men may
aggress against the person or property of anyone else. This may be
called the “nonaggression axiom.” “Aggression” is defined as the
initiation of the use or threat of physical violence against the person
or property of anyone else. Aggression is therefore synonymous with
invasion. If
no man may aggress against another . . . this at once implies that the
libertarian stands foursquare for what are generally known as “civil
liberties”: the freedom to speak, publish, assemble, and to engage in
such “victimless crimes” as pornography, sexual deviation and
prostitution . . . since the libertarian also opposes invasion of the
rights of private property, this also means that he just as emphatically
opposes government interference with property rights or with the
free-market economy through controls, regulations, subsidies, or
prohibitions. Although it must again be emphasised
that Libertarianism is an eclectic creed, with internal differences of
opinion between, for example, anarchists and supporters of the “Minimum
State,” most Libertarians are familiar with the writings of Rand and
Rothbard and share most of their views. How relevant, though, is Libertarianism
to life in 21st century Britain? Extremely, is the short answer.
At the political level, it has exerted
a strong influence on the younger and more intellectual elements within
the Conservative Party, whilst the numerous publications of the
London-based Libertarian Alliance attract many intelligent readers and
political activists. It is, however, the cultural impact of
Libertarianism which is most significant today. In a nutshell, it both
appeals to and reinforces that dislike of authority which is such a
marked feature of contemporary British and Western culture. Whilst its
attitude to taxation, government regulation, and the Welfare State, is
only shared by a small minority, its agnosticism in the area of “personal
morality” and its indifference or hostility towards Christianity puts
it firmly in the cultural mainstream.
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