The following is a summary of the February/March issue of the St. Croix Review:

Barry MacDonald, in “Leftist Agitators Aren’t Fooling Americans,” exposes the many deceptions and failures of hard-left anarchists.

Allan Brownfeld, in “Affirmative Action vs. a Color-blind Society: Now the Supreme Court Will Decide,” he comments on an upcoming ruling by reviewing the racial discrimination against Asians in admissions to top universities; in “The Chinese Olympics Bring Back Memories of the 1936 Games in Nazi Germany,” he points out the institutional indifference on the part of prominent officials, which mirrors deplorable world history; in Violent Crime Is Escalating as Our Criminal Justice System Is in Crisis,” he reports on the change of heart public figures are having in regard to the too-lenient treatment given to criminals by progressive D.A.s and the “Defund the Police” movements in big cities; in “Distorting American History: A Growing and Destructive Enterprise,” he exposes the corrupting technique of twisting historical facts at New York City’s Tenement Museum, and in the 1619 Project; in “At His Death, Bob Dole Feared for the Future of American Democracy,” he memorializes a decent American statesman; in “Remembering Desmond Tutu: An Advocate of Racial Justice and Non-violence,” he memorializes a world figure of dignity and poise who advanced justice and liberty.

Mark Hendrickson, in “More Fluff from the Economic Establishment,” is peeved about how “establishment” economists assist politicians by endorsing economically harmful policy — he uses Princeton professor Alan S. Blinder’s advocacy for the Build Back Better bill as an example; in “Chile Veers Leftward,” he compares the brutality of Cuba’s Marxist policies to the hitherto free markets of Chile, and he regrets the election of a leftist president in Chile; in “The Biden Administration’s Ongoing, Ill-timed Battle Against Fossil Fuels,” he shows how the Biden Administration has purposely curtailed much-needed American energy production just when the world is facing a shortage of energy this winter; in “When Humans Don’t Procreate: An Update,” he offers three explanations for the decline in birthrates: ideological indoctrination, stunted psychological growth, and alienation from God; in “Five Favorite Christmas Movies and the Hope of Renewal and Redemption,” he reviews heart-warming stories to offset the dreariness of politics.

Paul Kengor, in “Teach MLK, Not CRT,” shows how civil rights leaders like Martin Luther King, Jr. and others pull Americans together, as opposed to the Marxist advocates of Critical Race Theory, who purposely pull Americans apart; in “COVID and Conscientious Objections,” he comments on the U.S. Supreme Court’s refusal to halt New York Governor Kathy Hochul’s denial of the First Amendment religious rights of health care workers.

John Sparks, in “The Supreme Court Renders Mixed Decisions on the Vaccine Mandates,” shows how the OSHA decision reins in the administrative state, and the Medicare/Medicaid opinion turns loose the potential for administrative excesses.

Gary L. Welton, in “I’m a Privileged American . . . Please Put Race Aside,” explodes a common accusation made by American activists.

Derek Suszko, in “Dialogue of the Two Founders in Limbo Concerning the Present State of the Nation,” presents a conversation between Thomas Jefferson and Alexander Hamilton on the present state of American politics and culture.

Francis DeStefano, in “Deanna Durbin: America’s Sweetheart,” reviews the career of an actress who began as a singing prodigy, matured during Hollywood’s “Golden Age,” and retired early; in “Remember the Night,” he reviews a romantic comedy in which a thief, Barbara Stanwyck, and a prosecutor, Fred MacMurray, fall in love. DeStefano provides wonderful, behind-the-scenes information on the actors, supporting actors, directors, and writers.

Jigs Gardner, in “Letters from a Conservative Farmer — Woke at Williams: The Death of Education at Another Elite Institution,” presents the sad spectacle of a fine college that has gone to pot in Williamstown, Massachusetts.

Jigs Gardner, in “Writers for Conservatives, 91: Ernest Haycox, 1899-1950 — the Writer Who Created the Western as We Know It Today,” reviews The Border Trumpet, written in 1939.